英语高手给我翻译一段话

And it might seem sensationalistic to focus on "Dear John" at the expense of the rest of the album if it didn't feel like it might be her masterpiece to date, or at least the most bracingly, joltingly honest song you've heard any major performer have the nerve to put on record in years. Maybe not since John Lennon took on estranged partner Paul McCartney in "How Do You Sleep" has a major pop singer-songwriter so publicly and unguardedly taken on another in song. But while Lennon's song came off as mean-spirited, Swift was motivated by vulnerability and woundedness, which makes her song far braver... and more cutting.
The first chorus begins: "Dear John/I see it all now that you're gone/Don't you think I was too young/To be messed with/The girl in the dress/Cried the whole way home/I should've known." A second version of the chorus includes the lines: "It was wrong/Don't you think nineteen's too young/To be played/By your dark, twisted games/When I loved you so."
When rumors of a Mayer/Swift romance broke, some of us had a hard time imagining it, because of his rather famously ruinous reputation in matters of love and her ever-present, protective mom. "Dear John" addresses that: "My mother accused me of losing my mind/But I swore I was fine..." And: "You'll add my name to your long list of traitors who don't understand/And I'll look back in regret I ignored what they said/'Run as fast as you can'."
Swift, who turns 21 in December, won't outrightly acknowledge the subjects of these songs-except for "Innocent," the one written to Kanye West-so we have to allow that maybe "Dear John" is about some other much older man her mother warned her about who is known for "all the girls that you run dry," and not the 32-year-old Mayer... Like, the late John Forsythe, maybe? Hmm. Gonna have to stick with our original educated guess on this one.
There may be those who'll accuse Swift of exploiting her own romantic travails in this and other songs. But the extended bridge section of "Dear John" (and, at six and a half minutes, the entire song is fairly extended) packs such a cathartic punch, it really does transcend any tabloid associations. When Swift sings "I'm shining like fireworks over your sad, empty town," anyone who ever felt manipulated or used and found the strength to move on may be cheering like it's the 4th of July.
"Dear John" is the most powerful song on the album, but hardly the only vivid or emotional one. It's not all vituperation, though. The apologetic "Back to December" can't be about anyone but Lautner, and to our ears, so are several of the other new tracks-none of them about revenge, all of them about fondness for the admittedly brief time spent together. While Swift was writing these songs, Lautner's pointy werewolf ears must have been burning nonstop, to the point of spontaneous combustion. He has to be as flattered as Mayer should be flabbergasted.

去网站翻译的最好滚远点,恶心、

最新回答 (2条回答)

2011-02-18 回答

和它可能看起来sensationalistic专注于绝交午餐休息的代价的专辑如果它感觉起来不像虽然这是她的杰作到目前为止,或者至少是最bracingly,joltingly诚实的首歌你听说过任何主要演员有胆量去备案了。也许不是因为约翰·列侬呈现分居的伙伴保罗·麦卡特尼于“你怎么睡”有着重大的流行歌手兼作曲人如此公开地和unguardedly了另一个以讴歌。但列侬的歌曲是卑鄙的走了,斯威夫特是出于脆弱性和woundedness,使她的歌声勇敢的远…及更多切割。

第一个合唱开始:“亲爱的约翰/现在我全明白了你已离去/你不认为我太年轻/将乱弄/女孩哭了整个连衣裙/ /我应该回家的路上我早知道了。”第二稿》包括线:“那是错误和你不认为19太年轻/要打/黑暗的,被扭曲了的比赛/当我爱你。”

当谣传梅耶/迅速浪漫破了,我们中的一些人难以想象,因为他那颇为著名的事项破坏性的声誉的爱和永恒的、防护妈妈。绝交地址:“我妈妈指责我疯了/但我发誓我很好…”还有:“你会把我的名字加到你一长串名单叛国者是不了解回首,我在很抱歉,我听见他们说的,你可以跑得快’。”

快捷、转在12月21日,不会outrightly承认songs-except主题进行“无辜的说、West-so写信给k我们必须承认也许绝交的一些其他年龄很大的男人她母亲警告她是什么人以“所有的女孩子,你办,”,而不是这位32岁的迈耶…比如,已故的约翰,也许Forsythe吗?嗯。必须坚持我们最初的猜测。

可能会有那些要控告快开发自己的浪漫的苦苦挣扎在这个和其他的歌曲。但延长桥梁节段的“亲爱的”(约翰,在六个半分钟,整首歌是相当伸展)包这样一个泻药冲床,它真的超越任何小报的联想。当快速唱“我明亮如烟花在你难过的时候,空镇,“任何人觉得被人操纵或使用,才有力量去移动5月为他们欢呼,就像它是7月4日。

“亲爱的约翰是最强大的歌曲在专辑,但不可能是唯一或情感上的生动。但不是所有vituperation,虽然。抱歉的“回到12月"不能对任何人但Lautner,我们的耳朵,所以也有其他的新tracks-none复仇的,他们喜欢这个诚然短暂的时间在一起。斯威夫特在写这些歌曲时,Lautner的尖尖的狼人的耳朵应该是燃烧直达、给点的自发性燃烧。他必须为受宠若惊,迈耶应该吃惊极了。

深沉 6级
2011-02-19 回答
它似乎耸人听闻集中于“亲爱的约翰”在这张专辑的其他费用,如果它不觉得它可能是她的杰作日期,或至少最bracingly,joltingly诚实的歌你听过主要演员有任何神经记录在案的年。也许不是因为约翰列侬参加了在疏远合伙人保罗麦卡特尼“你怎么休眠”对宋代另一大流行歌手,词曲作者和毫无防备地采取如此公开。不过,虽然列侬的歌曲之际,卑鄙的关闭,斯威夫特是出于脆弱性和woundedness,这使她的歌声远勇敢...和更先进。 
第一合唱开始的:“亲爱的约翰/我看到这一切,现在你走了/难道你不觉得我太年轻/要使用/在着装女孩搞砸/一路哭回家的路上/我应该'已经知道。“一个合唱团的第二个版本包括台词:“这是错误的/难道你不觉得十九太年轻/将要播放/通过你的黑暗,扭曲的游戏/当我爱你。” 
当一个迈耶/斯威夫特绯闻爆发,我们有些人很难想象的,而是因为他在著名的毁灭性的爱与她永远存在,保护妈妈事项的声誉。 “亲爱的约翰”地址:“我的母亲骂我失去我的心/但我发誓我很好...”并说:“我的名字,你将添加到您的叛徒谁不明白/我会回来看我忽略了一长串遗憾他们说什么/'跑得快,你可以'。” 
斯威夫特,谁变成了12月21日,不会决绝承认这些歌曲,除了“无辜的,”一个写Kanye West的,所以我们必须让受试者,也许“亲爱的约翰”是关于一些其他更老的人她的母亲警告她关于谁是“所有的女孩,您运行干”,而不是32岁的迈尔称...像,已故的约翰福赛斯,也许?嗯。要必须坚持我们原来在这一个受过教育的猜测。 
有可能是那些指责谁就会在这方面和其他利用自己的歌曲,浪漫的劫难斯威夫特。但“亲爱的约翰”扩展桥断面(并在六分半钟,整首歌曲相当扩展)包等泻药冲床,它确实超越任何小报协会。当斯威夫特唱“我像闪耀在你难过的,空的城市,烟花爆竹”谁曾想过操纵或者使用,并且找到前进的力量可能会像欢呼这是7月4日。 
“亲爱的约翰”是在专辑中最强大的歌曲,但并不是唯一的生动或情绪之一。这不是所有的谩骂,但。致歉的“回到十二月”不能对任何人,但Lautner的,和我们的耳朵,所以是其他新曲目,没有其中约报复,他们都无可否认的短暂的时间约为喜爱几个一起度过。虽然斯威夫特在写这些歌,劳特纳的尖尖的耳朵一定是狼人燃烧马不停蹄,到自燃点。他已经被视为受宠若惊的迈耶应大吃一惊。